Jyoti Prasad Agarwalla – An Essay For SEBA Student

Confuse how to write an essay on the topic – “My Favorite Artist”? Don’t worry we are here to help you. This an essay on Jyoti Prasad Agarwalla but students can also write this essay as their favorite Artist. This brief is for any level of students. It will guarantee you in getting the marks in the essay section in any examination. Every life history and achievement of Jyoti Prasad Agarwalla is included in this essay.

Jyoti Prasad Agarwalla - My Favorite Artist

Essay On The Topic My Favorite Artist Jyoti Prasad Agarwalla

This essay include the following topic-

  • Introduction to Jyoti Prasad
  • His Life history
  • Works and Achievement of Jyoti Prasad
  • Conclusion of the essay

Introduction:

Jyoti Prasad Agarwalla was a poet a playwright, a journalist, a musician, an actor, an essayist, and a short story, writer, a filmmaker, and, above all, a great patriot. He did not live long enough like Rabindra Nath Tagore to write a great many volumes or make a very large number of films. But his works touched the hearts of the people of Assam so deeply and enriched Assamese culture so significantly that he has become now a symbol of cultural aspirations for the Assamese people.

Life of Jyoti Prasad Agarwalla:

Jyoti Prasad was born at Tamulbari Tea Estate, Dibrugarh, on 17th June 1903. His father, Paramananda Agarwalla, was the third son of Haribilash Agar walla, a businessman who rendered yeoman’s service to the cause of Assamese literature and culture by publishing the holy books Kirtana, Dasama, Namaghosha, etc. Jyoti Prasad’s great grandfather Naurang, came from Rajasthan but assimilated himself into the Assamese society through marriage and other means. Jyoti Prasad had his schooling at Tezpur and Dibrugarh and although he was sent up for the Matriculation examination from Tezpur Govt High School, he passed the final examination from an institution in Calcutta established by Chitta Ranjan Das. Before proceeding for higher education, he joined the non-co-operation movement in 1921. Later he read up to the I.A. Second Year Class at the National College in Calcutta but gave up his studies when the college was closed down. In 1926, Jyoti Prasad went abroad for higher education, but he left the University of Edinburgh without obtaining a degree.

However, he learned a lot about western music during the period. He also learned film making for seven months in Germany with the help of the famous Indian film director Himangshu Roy. He returned to India in 1930, visiting several other countries including those in the middle east on his way. Jyoti Prasad once more found himself deeply involved in the freedom struggle and suffered imprisonment. During the Quit India Movement, Jyoti Prasad was placed in charge of the Peace Corps in the Tezpur area. Jyoti Prasad intensified the movement throughout Assam by mobilizing the Peace Corps when most of the eminent Congress leaders were thrown into prison. He went underground for some time but surrendered himself to the Tezpur Court in 1943. He was, however, acquitted. Soon he began to suffer from ill-health and retired to Tamulbari Tea Estate. Some of his literary and musical creations belong to this period. He died of cancer on January 17, 1951, at the age of 48.

Works of Jyoti Prasad Agarwalla:

At the age of 14, Jyoti Prasad wrote his first play, Sonit Kunwari. It was the outcome of his association with the Ban Stage of Tezpur since his boyhood. His more mature plays include Karengar Ligiri, Rupalim, Labhita, Khamkar, Nimati Kaina, and Son Pakhili. They are among the best plays that have ever been written in Assamese. But Joyti Prasad was basically a poet with an intense longing for Eternal Beauty and a tighten indignation at man’s inhumanity to man. His poetry is not bulky, but extremely powerful. It is in his poetry and in his speeches that the revolutionary artist in him can be identified. Jyoti Prasad ushered in a new age in the sphere of Assamese music. By carefully blending traditional tunes with touches of western music, Jyoti Prasad created a class of music now known asJyoti Sangeet. The history of Assamese films began with Jyoti Prasad. Against heavy odds, he completed the first Assamese film ‘Joymoti’ in 1935, sacrificing his own fortune. He also made ‘Idramalati’, the second Assamese film. Along with Bishnu Prasad Rabha, he made gramophone records of ‘Joymati’ and ‘Sonit Kunwari’ in 1936-37 and established a music school at Tezpur in 1940. Jyoti Prasad wrote some short-stories and novelettes and his contribution to children’s literature was also quite considerable. His essay and his speeches represent the depth of his learning and lifelong struggle against social, cultural, and political evils.

Conclusion:

Jyoti Prasad will always be remembered as one who devoted his whole life to the enrichment of Assamese life and culture. His greatness and importance in this regard are perhaps next to Srimanta Sankardeva only. The death anniversary of Jyoti Prasad (January 17) is now observed in Assam as ‘Silpi Divas’ (Artist‘s Day). A good tribute though not adequate!

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